As far back as the earliest days of cinematic macabre, the haunted house has been a staple of the scary movie. From ghosts roaming a spooky manor to unexplained noises that are often much more than "bumps" in the night, these places are creepshow classics. Up until recently, few films have delivered the entire paranormal package -- atmosphere, acting, mythology and menace. Enter The Woman in Black. Adapted from the novel by Susan Hill (which was also turned into a stage play and a 1989 British TV movie), it stars Harry Potter's Daniel Radcliffe as a young lawyer sent to the outskirts of England to clean up the messy estate of a recently deceased client. There, he learns of the area's terrible curse and the title figure, who seems to be behind a rash of unexplained killings.
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Films that can't explain the ineffable desire two lead characters have for each other tend to have credibility issues. How can the audience suspend disbelief if they don't understand what is keeping the couple together through thick and thin? Often it can work anyway, especially with trickery of the moody lighting, soulful gazing, and well-orchestrated pop-song-love-montage kind. In a film like Drake Doremus's gauzy and drifting romance Like Crazy, the filmmakers don't do much to explain the root of the two lovers' attraction. Instead, it cuts almost immediately to the heartache of their separation. It's a credit to the winsomeness of the leads and the delicate affect of Doremus's direction that such a thin construction manages to work more often than not.
more »Do you want to know the power of the international box office? A marginal comedy by British great Rowan Atkinson is getting a sequel, which is shocking, considering how few in the West remember the forgettable Johnny English in the first place. Trying to build on the unbelievable appeal of the actor's Mr. Bean, a couple of former Bond scribes came up with the spy spoof, which made a pittance in the US but struck gold everywhere else. Now, eight years after the first film hit theaters, Johnny English is being "reborn" for yet another bumbling trek through the UK intelligence community. While breezy and well made, it suffers from the supreme sin of any proposed laughfest -- it's just not very funny.
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