FilmCritic entries tagged "Dermot Mulroney"

Big Miracle

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Say this for director Ken Kwapis: he must know how to make actors comfortable. He's directed great episodes of some of the best TV shows ever made, including Freaks and Geeks, The Office, Parks and Recreation, and The Larry Sanders Show, while cultivating a side career making inferior big-screen vehicles for small-screen stars like Jason Alexander (Dunston Checks In), Fran Drescher (The Beautician and the Beast), and every young female on network TV in 2005 (Sisterhood of the Traveling Pants). Big Miracle is his second feature starring his Office-mate John Krasinski. That Krasinski came bounding back after their previous collaboration, License to Wed, which in addition to being terrible failed to boost the careers of anyone involved, must speak to Kwapis's professionalism, friendliness, and excellent work helming a dozen golden-age Office episodes, among other qualities that have little to do with License to Wed itself (again: just terrible).

To their credit, Big Miracle is a lot better than License to Wed; rather than waste its talented (and once again TV-heavy) cast's time, it merely kills it, honorably. Krasinski plays Adam Carlson, a local TV newsman out of Anchorage stuck doing human-interest stories in Point Barrow, Alaska, who stumbles across a family of California gray whales trapped underneath some ice. His report gets picked up nationally, and attracts the attention of Adam's ex-girlfriend Rachel (Drew Barrymore), a Greenpeace rep who flies in, determined to save the creatures.

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The Grey

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John Ottway (Liam Neeson) awakens stretched out across a row of upholstered seats firmly planted in the wet ground. Unbuckling the seatbelt, Ottway carefully lifts himself and stands erect. He dazedly scans his surroundings: a never-ending horizon of white. This isn't some angelic purgatory. It's the unforgiving, Alaskan Arctic. Spotting an embankment, Ottway clumsily scampers to its summit and finds a disemboweled fuselage, separated from the wings of his charter plane.

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J. Edgar

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J. Edgar Hoover was a complicated man. While alive, he accrued a list of enemies and paranoid targets as large as the populace of admirers who kept him in power. In his private life, rumors of homosexuality and cross-dressing accented an already tenuous pre-tabloid personality. Were he alive today, his sins would be as celebrated and censured as his successes -- the man literally created the FBI and then ruled it like a despot. But as viewed through the muted patina of Clint Eastwood's aggravating biopic, he becomes a one-note anomaly, a man who maintained his position through intimidation and illegal spying, not anything to do with personality or outright achievement.

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Abduction (2011)

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If Abercrombie and Fitch made movies, they would look something like Abduction. They would feature soulless supermodel types recreating hopeless hyper-reality with such slick Photoshopped precision that nothing could be farther from the truth of everyday life. They would also the by-product of an industry that can't differentiate between a fluke and full-fledged deserving star power. Twilight werewolf Taylor Lautner may make the little girls in the demo all frantic with his hunkiness, but he's not an actor. He has zero screen presence and limited thespian gifts. He might look good without a shirt, but so do a lot of nameless, faceless Men's Health placeholders.

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The Family Tree

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If Alan Ball had smoked a lot of weed while writing the screenplay for American Beauty, the film might have turned out something like The Family Tree.  Of course, that's an ironic statement because American Beauty was already pretty trippy,...... more »

Flash of Genius

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Did you ever wonder who fine-tuned the technology behind the intermittent windshield wiper? Neither did I until I caught Marc Abraham's Flash of Genius, a sober biopic with a surprisingly destructive core that recounts how casual inventor Bob Kearns deciphered...... more »

Georgia Rule

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We have reached the point where Lindsay Lohan's reputation eclipses her resume. The still-young actress, once recognized for her impressive acting ability, must now contend with an audiences' pre-conceived assumption that she is the party-hungry wild child tabloid pushers make...... more »

The Family Stone

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The Family Stone wants to be many things. It wants to be funny and touching and warm-hearted, like any good holiday film, but aspiration is not achievement and The Family Stone proves it. Written and directed by Thomas Bezucha, the...... more »

The Thing Called Love

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The routine story of four scrappy Nashville newcomers who hope to make it as country music stars, The Thing Called Love wouldn't hold much interest if it weren't for one important fact: a clearly deteriorating River Phoenix stars as one...... more »

Must Love Dogs

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Hollywood overexposes young starlets, from Lindsay Lohan to Scarlett Johansson, and puts distinguished veterans on pedestals. Yet the industry has no idea how to handle an actress once she reaches her late thirties or forties. Lacking suitable offers for mainstream...... more »

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