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John Dahl (of Rounders fame) got his start here, a cool and twisty modern film noir that turned Linda Fiorentino into the '90s most exotic femme fatale (until a series of shitty thrillers drove her budding career into the dirt). Here she's an utterly cold bitch who absconds with her husband's money and winds up in a small town in upstate New York, where she engineers an even bigger con. A delight to watch as she pushes the pawns in her life around like, well, pawns.
