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It's the movie we'll forever know Dudley Moore for -- and the late John Gielgud, too, who is put out to pasture about halfway through this classic comedy. 'Classic' doesn't necessarily mean 'fabulous' in this case, however -Arthur is little more than a glamorization of an otherwise no-account, good-for-nothing, stinking-rich drunk. Moore is hardly a role model, and his tale of 'I love a poor girl' is so sappy one questions how Arthur ever became a hit. Two words: John Gielgud, who shines in what could have been the embarassment of his life. Party on, John.
