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This early Wertmüller work isn't among her best, and it's stuffed full of characters and scenes that would be written off as broad cliche today (complete with a raving mad Giancarlo Giannini, his hair flying wildly in every scene). But it's worth watching if for no other reason than to witness its eye-popping and horrifying final love scene, with Giannini 'seducing' a very large housewife, in all her glory. It's hysterical and sad at the same time.
Aka Mimì metallurgico ferito nell'onore.
