Top Ten

In a year when the horror scene was dominated by big-budget sequels (Scream 4, Final Destination 5), remakes (Fright Night), and prequels (The Thing, a run-up to the 1982 film that was itself a remake of the 1951 original), indies and U.S. releases of foreign titles helped keep the genre vital.

A polarizing head-scratcher like Rubber -- the story of a sentient tire on a killing spree -- may not represent the future of horror. But it's safe to say you've never seen anything quite like it. That's enough to make you forget (almost) the letdown of The Ward, John Carpenter's first feature in a decade, a rehash of asylum-with-a-secret clichés with a predictable eleventh hour twist.

The good news is that with a little digging, there are easily ten stand-out 2011 horror releases.

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In 2011, we spent almost as much time looking back into film history as we did looking forward. Steven Spielberg embraced motion-capture animation and Martin Scorsese experimented with 3D technology, but both masters did so in service of stories that referenced decades-old source material. The cinematic community was charmed by a black-and-white and largely silent crowd-pleaser set in the 1920s. And our No. 1 overall pick could hold its own alongside stylish genre classics of the 1970s.

Here are the 10 best films the Filmcritic staff saw in 2011, followed by individual critics' lists.

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Who doesn't have their favorite movie mothers? A lot of folks look no further than Mommie Dearest and Faye Dunaway's devil-in-tweased-eyebrows take on Joan Crawford. My personal favorite is Albert Brooks's Mother, because I like my acidic worldview with a heaping side of Jewish humor, and no one beats Debbie Reynolds as his overbearing, self-involved mamaleh.

This year offered plenty of memorable mothers in movies. Here are our Top 10:
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A movie might succeed on the quality of its performances, the awesomeness of its special effects, or the strength of its plot -- but some movies only work when the element of surprise is maintained to the very last second. Keeping a script under wraps is no easy feat when dozens if not hundreds of cast and crew members have access to it and some of their lips are bound to be a little loose. J.J. Abrams has kept a tight lid on his upcoming Super 8, but it's served only to heighten anticipation for the finished film. Which is, of course, the point. Below is a roundup of other films that maintained a veil of secrecy -- or tried to, anyway.

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Abrams is no stranger to this game. He produced this mid-budget thriller, which shares some stylistic elements with the pseudo-documentary The Blair Witch Project. Cloverfield was cast using specially written audition scenes or excerpts from earlier Abrams productions such as Lost and Alias rather than its actual script. And to throw the curious off the trail, the film's title was changed several times during production to 1-18-08, Overnight, and Chocolate Outrage. (Yes, you read that right.)

inception.jpg9. Inception
One way to keep people guessing about your movie is to make it so bewildering that no one can explain it. That seems to be the tack taken by writer-director Christopher Nolan. Leonardo DiCaprio, who played the lead, called the film "incredibly confusing at certain points." And the script was revealed to members of the crew individually, in locked rooms. The subterfuge is more than a little ironic, given that the film's plot hinges on the stealing of secrets right out of people's minds.

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When it comes to directing feature films, some talents prefer quality over quantity. On one end of the spectrum we find Woody Allen, a prolific filmmaker who cranks out one movie every year with varying degrees of artistic success. On the other end, we have these 10 directors -- talents who work so infrequently, but typically excel whenever they're motivated to create. Inspired by the release of Terrence Malick's latest, The Tree of Life, here are 10 more amazing directors who've only made a handful of films.

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10. Andrew Stanton
To date, Stanton has directed two films: Finding Nemo and WALL-E. Both received the Oscar for Best Animated Feature Film. Think you can find a more impressive track record? Stanton also had his fingers in other memorable films, from the Toy Story trilogy to Monsters, Inc. -- but from a director's standpoint, Stanton is two-for-two. He's shifting to live action next with an adaptation of Edgar Rice Burroughs' John Carter of Mars. We'll see if the Academy remains as kind to him as they have in the past.

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9. Lynne Ramsay
Scottish writer-director Lynne Ramsay was the toast of the Cannes Film Festival for her most recent drama, We Need to Talk About Kevin -- a harrowing story of parents coping with their child's involvement in a school shooting. The praise being heaped on Ramsay shouldn't surprise anyone who watched her first two pictures, Ratcatcher and Morvern Callar. Ramsay's only made three films since 1999, yet all were well received. Maybe the landslide of accolades pushing Kevin into the limelight will inspire Ramsay to choose her next project sooner rather than later?

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Plenty of movies leave critics smitten, yet fail to win over audiences. That's not so mysterious: great art often goes unappreciated. But what about when the opposite is true, when a crummy movie makes heaps of money even though it's a crummy movie? It happens all the time. Well, ten times at least, and here they are. It's like being named Most Likely to Succeed even though all the teachers hate you. Or losing the electoral college and winning the popular vote. Are the pros elitist and out of touch? Are the unwashed masses too indiscriminate? We report. You decide.

patch adams.jpg10. Patch Adams
Rotten Tomatoes score: 23 percent; Box-office gross: $135,026,902

Robin Williams is currently getting raves for his role in Bengal Tiger at the Baghdad Zoo on Broadway, but not so long ago he was the subject of eye rolling and worse. Critics cringed at his portrayal of a proudly unconventional doctor who charms patients with goofiness. Yet audiences materialized, perhaps hoping for a laugh riot rather than a deeply false "inspirational" drama. Roger Ebert actually expressed a desire to spray the screen with Lysol.

sleeping with the enemy.jpg9. Sleeping With the Enemy
Rotten Tomatoes score: 23 percent; Box-office gross: $101,599,005

Julia Roberts had been crowned fickle America's latest sweetheart -- Pretty Woman came out the previous year -- when she starred in Joseph Ruben's thriller about an abusive husband who drives his quivery-lipped spouse to fake her own death. The new screen queen pulled in a good audience, and she even got a bit of love from reviewers. The script, on the other hand, was called everything from relentlessly formulaic to stupid and implausible.

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As Michael Moore and Errol Morris can attest, sometimes there's no better way to tell a story than through documentaries. It's no wonder feature-film directors have appropriated the nonfictional format for fiction storytelling. What better narrative device is there for slipping into the head of a subject or a cross section of subjects? Here are ten mockumentaries that do the genre justice.

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10. I'm Still Here
When Joaquin Phoenix announced to the world (or, at least, to anyone who gave a damn) that he was leaving the movie business to start a rap career, it was all part of an experiment that cohort Casey Affleck captured on camera. Many a critic rolled their eyes at the film for being a pointless stunt, but there's something compelling about Phoenix's feigned downward spiral into egomaniacal delirium. This fake documentary hits pretty close to home in Hollywood.

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9. C.S.A.: The Confederate States of America
Adopting the format of a made-for-TV documentary, C.S.A.: The Confederate States of America imagines an America in which the South won the Civil War. À la PBS, the tongue-in-cheek movie charts an alternate history that has America sympathizing with the Nazis and a Cold War starting with Canada. Most appalling of all, slavery still exists. Director Kevin Willmott conceived of the film while watching Ken Burns's documentary series The Civil War.

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The hit-man genre isn't going anywhere anytime soon: see the success of recent flicks like Red and The Mechanic and the headlines about the movie Kill List for proof. And it's worth remembering that assassins are people, too: though their profession and methods make them seem like emotionless machines, incapable of sympathy or mercy, professional killers have feelings. Sure, they have to sleep with one eye open, sometimes sitting in a chair, but that's just a consequence of the job. Killing isn't who they are; it's what they do. Our top ten assassins have sympathetic emotional sides that contrast with their cold-blooded personae.

10. Jack (George Clooney), The American
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Every man needs two basic things -- a craft and a woman. For Jack, killing and gun-making are his crafts, but he lacks the latter. It can be hard for an assassin to trust someone when he's always watching his back, but a prostitute with a heart of gold teaches him that he doesn't have to be alone. An assassin can run for only so long before his number is up, but Jack has the chance to love in the end. That's all a man can really hope for.


9. Julian Nobel (Pierce Brosnan), The Matador
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Pierce Brosnan trades his license to kill for a Speedo and a pair of cowboy boots as the down-on-his-luck assassin Julian Noble. Though he might be emotionally unstable, Julian is still a master craftsman of the kill, even when he's on a bender and more focused on hookers than his mark. To get out of his funk, Julian enlists the help of businessman Danny Wright (Greg Kinnear) for one last hit. The Matador proves that even killers need a friend.
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Between the plug for concessions, car commercials, and "Silence your cell phone" announcements, it's nearly impossible to miss the trailers at the movie theater these days. Watching the previews before your feature offers the promise that if you don't like what you're about to see there's something better coming out a couple months later -- and in recent years they've gotten better and better. (See the chilling preview for this week's Battle: Los Angeles for proof.) Clever and concise, these are the trailers that avoided spoiling too much of the plot and take us back to a time when we counted down the days to a movie's release.

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10. Alien
Steeped in atmosphere, the Alien trailer crescendos to a deafening scream before unleashing an explosion of horror -- a structure that mirrors the success of the two-hour feature. It's frantic, frightening, and features one of the best movie taglines in the history of trailers. We'll forgive the quick shot of Sigourney Weaver in weird tiny underwear; maybe that was hot back in the seventies. Either way, it's still frightening. Watch the trailer.


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In a world where trailers are sometimes the best part of going to the movies, Hal Douglas is king. Even if you don't know his name, you know his voice -- and that's the genius of the trailer for Jerry Seinfeld's documentary, Comedian. Poking fun at voice-over clichés, Douglas parodies himself, and the results are funnier than the documentary it's teasing. Watch the trailer.

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Dance-offs are often the best scenes in a dance movie. When the competition gets fierce, the skill level skyrockets -- and, more often than not, you get to witness the amusing exchange of sneering glances between opposing dancers. Some of the most entertaining dance battles are the ones that poke fun at themselves, but then there are showdowns that amaze you with their sheer dancing talent. Here are our picks for movie dance-offs that beat the pants off other dance flicks.

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10. Stomp the Yard
In this 2007 movie starring Columbus Short, step teams from two fraternities square off in a national competition. It all comes to a head in the final scene, with Theta Nu Theta in black tracksuits and the Gammas in red wifebeaters. When the Gammas pull a move they secretly stole from the Thetas, DJ (Short) one-ups them with a victorious twist -- a backward roll-and-headstand maneuver that his brother pulled off before getting fatally shot at the start of the movie.


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9. West Side Story
In a world where violence erupts in the form of pirouettes and synchronized snapping, dance-offs take on a whole new meaning. During the opening prologue, the Jets and the Sharks clash in an urban turf battle expressed in vigorous sashays and twirls. As the gangsters attack each other with high leaps and kicks, all to the tune of Leonard Bernstein's classic West Side Story prologue, the effect really is surprisingly violent.


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Tom O'Neil, awards columnist for the Los Angeles Times, wrote recently that upsets are routine at the Golden Globes. Perhaps it's because films are split into two categories -- Drama and Musical-Comedy -- at the Globes. Or maybe it's because the Hollywood Foreign Press Association, which votes on Globe winners, encourages drinking during its festive event. Ahead of the 68th-annual Golden Globe Awards, we single out the ten most upsetting upsets from years past.

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10. Judi Dench, Her Majesty, Mrs. Brown
In what was perhaps the first warning sign that Hollywood had no intention of recognizing James Cameron's behemoth Titanic, dame Judi Dench upsets Kate Winslet with a performance in a movie absolutely no one saw. Winslet's Titanic co-stars Leonardo DiCaprio and Gloria Stuart also would lose in their acting categories. Yet Titanic won in the long run, nabbing $1.8 billion in worldwide grosses, compared to an estimated $13 million for Mrs. Brown.


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9. Sharon Stone, Casino
Stone claimed a Best Actress award at the Golden Globes in 1996 for what's probably the fourth- or fifth-best performance in Martin Scorsese's overlong Goodfellas wannabe, beating out Susan Sarandon (Dead Man Walking), Meryl Streep (The Bridges of Madison County), and Emma Thompson (Sense and Sensibility). But it was Elisabeth Shue who Stone truly robbed, overshadowing the wholesome actress's raw turn as a prostitute in Leaving Las Vegas.


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When the MPAA slapped Blue Valentine with an NC-17 rating for a "scene of explicit sexual contact," the Weinstein brothers appealed for an R rating and won. Had Blue Valentine been stuck with the NC-17, it would have been in the company of other notable films that became stigmatized by the dread rating -- many theaters won't play NC-17 movies, and some publications won't even run NC-17 ads. Here are ten films whose NC-17 status didn't doom them to obscurity.

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10. Showgirls
Nobody's calling Showgirls a masterpiece, but there's something to be said for a movie that gets an NC-17 rating and still goes on to gross $45 million -- the highest box-office earning for an NC-17 flick. This is one of the rare movies that may have actually benefited from all the ratings hype. Sure enough, Paul Verhoeven delivers the X-rated goods with lots of gratuitous nudity and sex. Is it overboard? Sure, but it's also one of the campiest NC-17 flicks in existence.


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9. Last Tango in Paris
As two strangers who meet by accident in Paris, Marlon Brando and Maria Schneider share some explicit sex scenes, one of them famously involving butter. Throw a little violence into their emotionally charged relationship, and -- voilà -- you've got yourself an NC-17 movie. Last Tango in Paris originally earned an X rating when it came out, in 1972, but the MPAA changed it to NC-17 when the film was rereleased, in 1997.


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Certain titles showed up on virtually every top-ten list turned in by the staff members of FilmCritic.com. Inception. Black Swan. The Social Network. Scott Pilgrim vs. the World. While it's unlikely 2010 will be remembered as a great year for cinema, Hollywood produced a handful of instant classics that did resonate with us and truly could be considered special. Below is a collective top ten, formed after all of our individual top-ten lists were tallied. You'll find those lists at the bottom of this feature. So without further adieu, here are FilmCritic.com's ten favorite films from 2010. 

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Is the tormented U.S. marshal (Leonardo DiCaprio) tracking a missing patient around a desolate New England island or clawing away at his own psychological demons? That fevered debate, left open for discussion, fuels Martin Scorsese's visceral genre exercise, which our critic called an "ominous, claustrophobic, and at times confusing endurance test that audiences no doubt will want to take."



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Nicole Holofcener is a keen chronicler of liberal guilt, and Please Give is her funniest and most insightful movie yet. A stellar ensemble including Holofcener muse Catherine Keener, Rebecca Hall, Oliver Platt, and Amanda Peet brings Holofcener's sharp dialogue to life, embodying complex characters with contradictory inner lives. As our critic put it, "Holofcener's characters are primed to live beyond the movie's frame."
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This bitter weather, the overcrowded shopping malls, and the incessant stream of faux-cheery holiday tunes going on right now have the grinches at FilmCritic.com in a foul mood. So instead of hanging our stockings with care, we're digging through Hollywood's dirtiest laundry to find the top ten worst movie Christmases. Consider it a lump of cinematic coal delivered straight to your computer. Bah, humbug.

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10. A Christmas Story
With the pull of a trigger, "You'll shoot your eye out" becomes a self-fulfilling prophecy, sending Ralphie (Peter Billingsley) to the snow-covered turf and leading to the eventual pulverization of his glasses. But Christmas isn't officially ruined until the scent of a freshly cooked turkey summons the hounds, and A Christmas Story quite literally goes to the dogs. Still a holiday classic, though.


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9. Bad Santa
Want to sing a traditional Christmas carol about Billy Bob Thornton's foulmouthed, sweat-stained, child-hating Saint Nick? Better change the lyrics to, "He sees you when you're drinking. / He knows when you're having sex with a prostitute." Even if you somehow were able to edit out the scenes of Thornton's Santa getting gunned down by trigger-happy sheriffs, this still would qualify as the most depressing (yet unabashedly hilarious) Christmas movie of our generation.


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Hollywood has been working with digital effects for over three decades. While some movies use them in moderation, others have relied on digital wizardry to conjure entire worlds. The results can be breathtaking, yes, but they can also be downright cheesy. Then there's the inevitable truth that special effects can age horribly -- what looked cutting-edge years ago is liable to make us giggle today. With Tron: Legacy coming out in theaters, there's no better time than now to revisit Tron and nine other cheesy digital worlds.

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10. Star Wars: Episode I - The Phantom Menace
George Lucas invested a lot of time and money on his Star Wars prequels, and it shows. Still, state-of-the-art technology is not always tantamount to perfection. Some fans complain that the CG effects in The Phantom Menace, in particular, lack soul, and the dull dialogue certainly doesn't help. Of course there's an entirely opposite camp that would argue that the digital magic was one of the best reasons to watch the movie, and for this reason The Phantom Menace is at the bottom of the list.

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9. The Mask
Jim Carrey is perfectly capable of looking bonkers without the aid of digital effects, but aid he did receive in The Mask -- and it looks goofy in a not-so-complimentary way. As the hyperactive green-faced superhero, Carrey makes his body bounce against walls and spin like a human tornado. His eyeballs bug out of his head, and his jaw literally drops a foot. Cartoon effects are fine when handled correctly, like in Who Framed Roger Rabbit. Here, though, it's all a bit hokey.

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The pairing of Angelina Jolie and Johnny Depp -- she of the ice-cold action-heroine glory and he the possessor of one of the most offbeat, transfixing charms Hollywood's ever seen -- as the leads in the dramatic thriller The Tourist is one of the more intriguing couplings in recent movies. Of course, as any film fanatic knows, there have been plenty of inspired onscreen pairs who didn't necessarily make sense on the page but became iconic couples once audiences saw their chemistry. For example...

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10. Superman / Clark Kent (Christopher Reeve) and Lois Lane (Margot Kidder), Superman
Back in 1978, Reeve was just a shrimpy kid desperate for a shot at fame, and Kidder was a Canadian actress with a few unseen movies under her belt. The film's casters were reluctant to pick them, but Reeve's all-American affect and Kidder's tough-but-vulnerable demeanor were a perfect fit -- as the audiences who made Superman the sixth-highest-grossing film of all time (back then) made clear.

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9. Jack T. Colton (Michael Douglas) and Joan Wilder (Kathleen Turner), Romancing the Stone
They may have gone on to become one of the most iconic pairings of the eighties, but Douglas and Turner weren't by any means an obvious match: his star was fading when he was cast in the film, and Turner's was still on the rise. Their love-hate chemistry crackled onscreen nonetheless, and the movie was a smash hit -- as were two more collaborative pics, The Jewel of the Nile and The War of the Roses.

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Is it all in her heart or all in her head? Prima ballerina Nina (Natalie Portman) can't tell for sure when rival dancer Lily (Mila Kunis) slinks between her bedroom sheets during a pivotal -- and sensual -- scene from Darren Aronofsky's thrilling Black Swan. That got us thinking, more so than usual, about the hottest kisses shared between two gorgeous girls onscreen. Here are our ten most memorable lady lip-locks.

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10. Cristina (Scarlett Johansson) and Maria Elena (Penélope Cruz), Vicky Cristina Barcelona
Woody Allen's underrated Spanish love triangle heats up once cat fighting rivals Johansson and Cruz ditch the man in their lives (Javier Bardem) so they can get intimate in a darkroom. Well, it's not all dark. Allen wisely bathes these beauties in the fire-engine-red glow of a photographer's development room, and the result practically scorches the screen.

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9. Danielle (Denise Faye) and Amber (Lisa Arturo), American Pie 2
Of course sex-crazed Stifler (Seann William Scott) would get distracted by the lesbians living next door to him in American Pie 2. But this eventually erotic scene scores bonus comedic points for the way beautiful Faye and Arturo turn the tables on Scott, Eddie Kaye Thomas, and Jason Biggs by demanding a little guy-on-guy action before they are willing to give up the goods. Biggs's attempt to caress Scott's cheek mid-smooch still makes me laugh.

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While Muggle kids study long division and U.S. geography, Hogwarts students get to take much more exciting lessons in making objects float or freezing people in their tracks with the flick of a wand. If only we in the Muggle world could learn a few of these spells, day-to-day life would be a whole lot easier. Avada Kedavra and Crucio we could do without, but here are ten spells we'd love to apply to real life.

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10. Alohomora
This lock-opening spell makes an early appearance in the Harry Potter movies when Hermione uses it to break into a restricted wing of Hogwarts. Unless you're a professional burglar, there aren't too many uses for this highly specific spell. It would, however, prove invaluable for those exasperating occasions when you lock yourself out of your house or car. Even better, you can dispense with keys altogether.


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9. Expelliarmus
Expelliarmus, a wizard's go-to spell when fighting a Death Eater, is used to disarm opponents of their wands and, as a bonus, propel them off their feet. Severus Snape performs the spell with a flourish when he duels Professor Lockhart in Harry Potter and the Chamber of Secrets. This would make a great weapon for Muggles when they're walking alone at night. Quick and expedient, consider it a more humane version of a stun gun.


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In this week's would-be blockbuster Unstoppable, Denzel Washington and Chris Pine play two ballsy railroad employees who decide to take down a runaway train by chasing it in a runaway train of their own. It's a suicide mission of the sort that Hollywood loves -- as evidenced by the long list of iconic suicide missions that have popped up in cinema through the ages. Here's a list of some of the most memorable.

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10. The Spartans, 300
In this Über-stylized Zack Snyder pic, Gerard Butler (playing King Leonidas) brings to life the age-old story of the Battle of Thermopylae. Knowing full well that they could all lose their lives (and indeed most of them did), Leonidas and his men distract the Persians long enough to ensure victory for the Greeks down the road. Butler's ripped physique, meanwhile, lives on as the stuff of cinematic lore.


quaid-independence-day-125.jpg 9. Russell Casse (Randy Quaid), Independence Day
Goofball Quaid gets a moment of serious deliverance in this Will Smith blockbuster as a poor struggling crop duster who sacrifices himself at the movie's end to save humanity. When the shooting mechanism jams on the fighter plane he's flying (with the good guys' last remaining missile, to boot), he goes kamikaze in a scene that's both poignant and, naturally, hilarious.



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For the Halloween season, blood-lusting Film Critic staffers have revealed their favorite unsung horror for the past three years. You've heard about the classics -- from Night of the Living Dead to The Evil Dead -- but these are the films that have slipped into the shadows. Once again, we plunged into the dark depths of the horror realm to find a sacrificial offering of ten films that you haven't seen. Just don't blame us if your electric bill spikes after sleeping with your lights on.

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Sure, it seems like a stupid concept, but anyone who has ever been stuck on a ski lift for more than two minutes has had the thought flash through his or her mind: what happens if I'm stuck up here? Hatchet director Adam Green takes that question and lets the helpless reality set in. Then he answers the questions, Do I jump? Do I climb the cable? And do I wait for help? None of those options work out well for the three trapped friends.


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For those who are jaded enough to scoff at the original Exorcist being heralded as the scariest movie ever, writer William Peter Blatty gives us a terrifying demonic-possession movie that is often dismissed as a pointless sequel. You'll be hard-pressed to call The Exorcist III pointless after its shocking decapitation scene. And just wait until the Gemini Killer (Brad Dourif, at his best) explains how he cut off a victim's head without spilling a drop of blood, as if it were a masterwork of showmanship.
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