Thelma Adams on Reel Women

With the Academy Awards rapidly approaching, we have become collectively obsessed with Viola versus Meryl -- not to mention Michelle, Glenn, and Rooney. But there are actresses whose impressive performances should have been -- but aren't -- part of this conversation. The most talked-about of these is certainly Tilda Swinton's in We Need to Talk About Kevin. But a few others warranted consideration by the Academy -- and by more viewers. For example ...

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Strong women were everywhere at Sundance last week -- and they flourished in three of the festival's standouts: Smashed, The Surrogate, and Middle of Nowhere. What's perhaps most interesting is that these women are in more traditional "caretaker" roles, not "I-am-woman-hear-me-roar" ones -- and yet they manage to prevail, to care not only for the men around them but also, ultimately, for themselves and their own narratives.

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Being a director means having power. And in the past year, three women already famous for being performers -- Angelina Jolie, Vera Farmiga, and Madonna -- claimed some of that power for themselves by stepping behind the camera, with varying degrees of success.

With In the Land of Blood and Honey, Higher Ground, and W.E., Jolie, Farmiga and Madonna made three very different movies, for very different audiences. The unifying factor? In all three movies, complex women owned the story arcs -- still a far-too-unusual occurrence in Hollywood.
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Meryl Streep has been raking in awards and nominations for her performance as Margaret Thatcher in The Iron Lady. But accolades for best picture, best director, or best script? Zip.

That's the conventional wisdom on The Iron Lady: Streep deserves the Oscar for playing the British Prime Minister, but director Phyllida Lloyd does not craft a movie equal to the performance. That's typically when someone snorts that Lloyd also directed the critically panned Mamma Mia! Reality check:
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Who doesn't have their favorite movie mothers? A lot of folks look no further than Mommie Dearest and Faye Dunaway's devil-in-tweased-eyebrows take on Joan Crawford. My personal favorite is Albert Brooks's Mother, because I like my acidic worldview with a heaping side of Jewish humor, and no one beats Debbie Reynolds as his overbearing, self-involved mamaleh.

This year offered plenty of memorable mothers in movies. Here are our Top 10:
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Write a post about actress Carey Mulligan stripping naked in Shame and suddenly you're in search-engine heaven: Carey Mulligan naked, Carey Mulligan nude, Carey Mulligan nudity Shame. It's the gift that keeps on giving. Pretty, naked girls stop traffic on the street, and drive traffic on the web, and to the movie theater.
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Remember the famous line about Fred Astaire and Ginger Rogers, "Sure he was great, but don't forget Ginger Rogers did everything he did backwards ... and in high heels"? Keep that in mind while enjoying Alexander Payne's The Descendants, in which disaffected dad George Clooney finds himself by sliding into his wife's shoes.

Even as the balance between working parents gradually shifts in America, and co-parenting becomes the hard-won norm, on the screen it tends to be a big deal when mom disappears and suddenly dad has to tie on her apron. Mom sacrifices her life to awaken dad's inner parent -- it's so Bambi!
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When I saw the first Paranormal Activity in 2007, I loved the haunted-condo horror. I grew up in Southern California watching The Addams Family and believing the supernatural, like the Salem Witch trials, happened to other people, in older places. We had sunshine even when the rest of the world had cloudy days.

Paranormal Activity turned that sense of suburban safety on its head.
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Following a summer where Bridesmaids and The Help book-ended the mainstream box office, Hollywood execs and mainstream critics have to wake up and smell the nonfat latte: Women's movies are here to stay.

One would think those awful-yet-profitable Sex and the City movies should have already made this point, not to mention the movies of Sandra Bullock, Angelina Jolie and Emma Watson, to name a few. Still, with Bridesmaids having made $268 million worldwide without bankable stars, what's the takeaway?

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