John Scalzi on Scifi

Chronicle, the science fiction film about teenagers getting superpowers somewhat ahead of the morality required to wield them responsibly, brought in $22 million over the Super Bowl weekend. This was good enough for a first-place finish at the box office, and the fourth-best Super Bowl weekend result ever. It did much better than anyone expected.

What can we learn from the film's surprising success?
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My house has three cats, and every morning between 2 and 4 a.m., at least one of them needs to go outside. My wife, who could sleep through an alien invasion, they do not bother. No, they come to me, doing that cat thing of whacking you in the face until you wake up, groggily go down the stairs, and let them out (yes, I put them out before I go to bed. They get back in. Somehow). Sometimes I stagger back upstairs and then immediately fall back asleep. But sometimes I don't, and then I'm stuck being awake, with a low-revving brain, for a few hours at least.

This has given me an appreciation for films that are watchable in my insomniac state -- some bad, some quite good, but all for various reasons that one may, if one chooses, sort of stare at glassily for an undetermined period of time, waiting for sleep to come again. As it happens, quite a few of these films are science fiction films. Here are some of my favorites to view, half-awake, between 2 a.m. and dawn.
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The Academy Award nominations are out, and although this column appears on Wednesday, I'm banging it out on Tuesday morning. So what you're about to get right now are my immediate thoughts on the Oscar nods, and how they relate to science fiction (and also fantasy). Ready? Here we go:
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Kids these days don't really need to be introduced to science fiction; it's a genre that's all around them in television, video games, books, and of course movies. But let's say, for the sake of argument, that you are both a parent and a bit of a geek, and you want to introduce your young kid -- who is between the ages of 6 and 10 years old -- to science fiction films in a more formal way. An Early Education Science Fiction Film class, as it were. Which science fiction films would work for such a thing?

I think you would have to set down some criteria for your curriculum. Here's some of the criteria I would use.
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It's a slow week, science fiction film-wise, so let's go to the mailbag and answer a couple of ever-so-slightly off-topic questions, about fantasy films and 3D rereleases. First question:

You covered science fiction releases for 2012, but any thoughts on the upcoming fantasy films?
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If you're reading this, you've made it into 2012 alive. Well done, you! So did I. To celebrate our continued existence on this dizzy planet, let's take an early look at some of the science fiction films scheduled for the year, and my initial gut reaction (i.e., not based on anything but trailers, descriptions, and cast lists) to each.
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This will be the last column of the year! You'll have to wait until next year for the next one! Fortunately, "next year" is just a few days away, so there's no reason to panic. But as this is the last column of this year, allow me to make a few observations about film and the film industry, some only tangentially related to science fiction in particular but useful nonetheless for context.

To begin: 2011 will not go down in history as a particularly stellar year for the film industry. The total gross of the domestic market will click in at about $10 billion, which is below last year, meaning that the number of tickets sold (accounting for the small bit of inflation from last year's ticket prices) is significantly down -- around 5%. This despite the fact that about 50 more movies made it to theaters this year. It's also the first year since 2007 that no film cracked the $400 million box office barrier; Harry Potter and the Deathly Hallows, Part 2 came close at $381 million (which, you know, is still good), but it's indicative of a year where no monster movie like The Dark Knight or Avatar has captured the public and offered a financial or psychological "halo effect" to the general box office.

Is this cause for panic in the sunny climes of Los Angeles? Not necessarily.
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With the exception of The Darkest Hour, which opens on Friday (and which, I suspect, is going to get buried by The Adventures of Tintin and The Girl with the Dragon Tattoo, not to mention the expansion of Mission: Impossible -- Ghost Protocol), Hollywood has shown us all the science fiction it's going to show us this year. And with that, I now present some of my thoughts on the Class of 2011. Presented to you in order of domestic gross:
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I generally avoid pointing back to my personal site from here -- it's that whole "don't cross the streams" thing -- but this week I had a discussion there that I want to expand upon, on the subject of the "Flying Snowman."

That's my term for implausible elements or events in science fiction or fantasy works that throw you out of the story, even if you've accepted other, previous implausible elements or events. I got the term after my wife, who was reading a storybook to our daughter in which a snowman came to life, ran about, and even ate hot soup, objected to the idea that such a snowman could fly. She could handle a snowman spontaneous gaining life, but flying? That was going too far.
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Science fiction nerds are well aware of the existence of The Star Wars Holiday Special, the spectacularly ill-advised 1978 two-hour television event in which viewers were exposed (like a virus!) to the Wookiee celebration of Life Day, the comedy antics of Harvey Korman, and the musical stylings of both Jefferson Starship and Bea Arthur. No less a personage than George Lucas has said that he wishes he had a time machine and a sledgehammer to rid the universe of its existence.

I, on the other hand, think the problem is not that The Star Wars Holiday Special exists but that it is all alone in its terribleness. There are so many other classic science fiction films just waiting to reach out and sully the season with awful holiday specials of their own. And why shouldn't we have them? No reason! No reason at all! And with that in mind, please find below six proposed Truly Terrible Science Fiction Film Holiday Specials. They could happen.

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A couple of weeks ago I made the observation, regarding The Thing, that the new versions of popular horror films don't tend to come anywhere close to the success of the films they're drawing from -- in this case, the 1982 version of The Thing (which was in itself something of a box office disappointment at the time). This resulted in a friend asking me whether the same held true for straight-ahead science fiction films: How did their remakes and reboots do, relative to the originals?
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My daughter, Athena, who is very excited about the upcoming film version of The Hunger Games (the trailer of which she has seen), mentioned to me two things. One, she would like a bow-and-arrow set. Two, she wishes that she could compete in the Hunger Games themselves, "because that would be seriously cool."

"Well, except for that part where only one person survives, so the statistics look pretty bad for you," I noted.

To which she rolled her eyes, in the way that only girls who are very almost thirteen can. "Dad, that's why they call it a fantasy," she said.

I couldn't argue with that.
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This week, two questions about recent (and sadly underperforming) science fiction films, for which I provide two separate answers. Double your pleasure! Double your fun!

First question:

You mentioned the connection between V for Vendetta and the Occupy movement in last week's column. Do you have any thoughts about the connection between In Time and the same movement?

Yes, it's not been lost on me that some people have called In Time, with its stark future in which time is a currency the poor drop dead from lack of while the rich live forever, Occupy Wall Street: The Movie.
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A couple of years ago, when I wrote up my list of the best science fiction films of the first decade of the 21st century, I included on my list what I think most people would have considered a dark-horse candidate, the 2006 movie V for Vendetta. This is what I wrote about it at the time:

"My vote for the Most Underrated Science Fiction Movie of the Decade, this is the Wachowski Brothers' best script of the decade, and the best Alan Moore adaptation -- the author's outright contempt for Thatcherite England is successfully ported into our own turbulent political era, making for a dystopic movie that I think people will eventually see as wholly representative of the frustrations and paranoia of its era. I could be wrong. Let's check back in a decade."
As it turns out, we haven't had to wait a decade.
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Today's e-mail:

Quick! Settle a bar bet for me. What was the cheapest yet most financially successful science fiction movie ever? Beer is riding on your answer!
I write a weekly column and you want your answer quickly? I think you are fundamentally misapprehending the nature of the column, my friend.
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Today's e-mailed question is a practical one:


I've been invited to a Halloween party and my fiancée and I want to go as something science fictional. What do you suggest?

I'm glad you asked! Science fiction films offer a rich vein of characters to dress up as. The secret is not to go with the usual -- to dig a little deeper and come up with something fun that people aren't expecting from you, or from anyone else.

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Hello. This is John Scalzi. I'm not here right now, because I am in Germany, doing a book tour. Germany is lovely and filled with wonderful people who hardly ever point and laugh when I try to speak their language and end up sounding like a monkey strangling a cat. I can ask for nothing more.

As I am away, I thought this week would be a fine time to do something a little different; instead of giving you something to read, I'm going to encourage you to do a little writing.

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The new version of The Thing is coming out this weekend -- actually a prequel to the 1982 film, but titled the same, so whatever -- and while scifi horror fans are ramping up to enjoy the carnage, I am reminded of something else entirely, namely: the Things Science Fiction Film Has Ruined for Me. And what things might those be? Well:
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Hey, I haven't offended Star Wars fans in a while. Let's fix that! Here are six reasons it sucks to be a Jedi.

1. The Jedi uniform. The Jedi look like they dressed for their local Renaissance Faire in the dark. Thick robes, ill-fitting pants, tunics, clunky boots -- it's as if millions of fashion designers screamed out in terror and were suddenly silenced. And yes, I get that the Jedi are supposed to be a form of monastic order so they're not going to go in for flashy colors or sharply tailored suits. But, look. Sartorially speaking, if you're a representative of an order meant to help keep civilization from running off the rails and you meet with people who run entire planets to convince them not to do stupid things, maybe it'd be helpful not to dress like a stable boy all the time.
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It's been a few weeks since I did a mailbag column, and some e-mails are piling up about recent movies and columns. So ... hey! Let's do a mailbag column!

First question:

My friend and I are having a philosophical disagreement about whether Contagion qualifies as science fiction or not. I say it does because the virus is fictional and it's an end-of-the-world scenario. He says no, mostly because it takes place in present day. Who's right?

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